We don't get too annoying with this, you get our monthly newsletter as well as first to know about upcoming releases, music videos, future free music, and all kinds of other things going on in Twitchland! And hey, you get to say you are part of the exclusive Twitch community... and we might send you shit in the mail too!! 😉
Saturday, 19 December 2020
Sign-up to Twitch's mailing list and get Twitch's latest album "Darkness_Rise!" for free!!
We don't get too annoying with this, you get our monthly newsletter as well as first to know about upcoming releases, music videos, future free music, and all kinds of other things going on in Twitchland! And hey, you get to say you are part of the exclusive Twitch community... and we might send you shit in the mail too!! 😉
Monday, 19 October 2020
Twitch Releases New Single "Everlasting" and Announces Live Stream
You can purchase Twitch's new single "Everlasting" here!
We are also doing a live stream performance on our Twitch Facebook page here on Thursday, October 22nd/2020 at 7pm - 8:30pm (MST)! So be sure to join us for that! We might be playing some old, and some new... and there might be some surprises... we'll see!!
Tuesday, 13 October 2020
PRONG: Power Of The Damager
Wednesday, 26 August 2020
System Syn: Once Upon a Second Act...
We were surprised and excited to receive this in the mail not too long ago! We did a bit of an unboxing video here! Yes, we like System Syn! When this album was announced to be released... there was a video teaser of all the tracks on the album... so I took a listen to that. It sounded great! So, I decided to hold off for a little bit to actually pick it up. After it had been released online (Bandcamp) in digital format, I took a closer listen... still sounds great! So... after ordering the Chris Connelly CD's from Wax Trax! Records, that same night I ordered the this System Syn album! Being that we are in a pandemic, it took a bit for it to get here, but... it arrived a few day's ago, and I'm currently listening to it!
This album certainly does not disappoint!! It was actually better than what I thought it was gonna be! The production, the mixing, the mastering... all excellent, and very pristine, if I say so! Everything is fairly clear in the mixes, and is audible! System Syn's main songwriter is Clint Carney, and as with past releases (if I'm not mistaken, all of them), his production partner is Ted Phelps of the electro-industrial project Imperative Reaction! I'm not sure to what level Ted contributes to the System Syn releases, but he does do some production, as well as some programming on the releases as well!
I do think Clint has found his producer life partner... every System Syn release has always been solid, and the production, mixing and mastering are always excellent! There is definitely a consistent mix on all the tracks... and there is a certain production quality to each track...
...As far as the tracks go... I would say the ones that stand out to me are: "The Wreckage", "Promise", "Once Upon a Second Act..", "We Had Time", and "Weightless"! And, my favorite track being "We Had Time"... As I stated above, the album is solid all the way through!
Clint has done something different this time around, rather than having the support from a record label behind him, he's gone totally independent, and has put this release out himself! From what I can tell he's started to self-release under the label name of Second Act Records! So, on that note... I would highly recommend checking this album out, and consider supporting them directly, by either purchasing this album, or any of their past albums on their site here! Or, purchasing digital copy of the album on Bandcamp here!
Hope you folks are well!
Thursday, 20 August 2020
Chris Connelly - "Phenobarb Bambalam" and "July"
If you saw our video here, you would know recently we received in the mail from Wax Trax! Records, two Chris Connelly releases, the first one being "July", and the second one being the album "Phenobarb Bambalam". I used to have both of these in my CD collection waaaaay back in the day, when I was 19 or 20 or something like that. I got rid of them when I was trying to build extra cash for my move to Calgary. I don't regret getting rid of them, but after all these years I realized I missed having them in my collection, and I'm trying to grab stuff from the recently brought back to life Wax Trax! Records label.
So, a little bit about these releases: when I originally received these when I was 19 or 20 from a friend, he had passed them on from a local goth/industrial DJ in Saskatoon at the time. Then I eventually sold them... I didn't want to, but I had to get rid of things that weren't essential in my collection at the time... and I needed to raise some funds (I sold a lot of stuff that I'm in the process of recollecting now).
My initial thoughts about the releases when I originally received them were, I enjoyed them... it was a little different from the stuff I was normally used to, but I thought they were still good! I also felt a little bit of a connection to Mr. Connelly, cause in the album artwork he has dreads, and at the time I had dreads as well.
Listening to them now... I remember what I thought when I had heard them for the first time... On these releases, Chris Connelly definitely has a Bowie vibe going on. I'm not sure if that was what he was going for, but he certainly sounds like Mr.Bowie... nothing wrong with that! I would say at least on these albums Chris Connelly sounds like a industrialized David Bowie. I still am enjoying this stuff! I would say the production values on the album, as well as the mixing and mastering are quite different from the regular Wax Trax! stuff... and I think that that might be because Al Jourgensen had nothing to do with these releases. The mixing and mastering is solid though... very clear... nothing seems buried in the mix. Listening to them again, I don't think I had the same appreciation for the music back then that I do today... I'm glad I purchased them again, and supported the label directly! I'm glad they are back in my collection, and I will say, if you are interested in industrial music history... Wax Trax! Records played a very large role in the American goth/industrial scene and were pioneers when it came to bringing European bands like KMFDM and Front 242 to the American scene as well as played a large role in the industrial metal movement (Ministry being one of the first acts to incorporate metal elements with industrial music), so head over to their website here! and order some industrial music history!!
I hope you folks are doing well!!
Shayne "Daemon_w60" Lawrence / Twitch
Friday, 14 August 2020
Industrial Accident: The Story of Wax Trax! Records CD
Saturday, 11 July 2020
Databomb: We All Want Peace
Do you want peace? Internally, and externally? Let me know!
If you haven’t heard “We All Want Peace” yet, you can listen here: https://twitch-official.bandcamp.com/track/we-all-want-peace
Friday, 10 July 2020
Ok, Folks! I Am Not Doing This Shit Anymore!!
We advance outcomes-driven mental health that betters the lives of all Canadians.Mental Health Research Canada (MHRC) is a national, charitable organization that is dedicated to improving the lives of the 1 in 5 Canadians living with mental illness, as well as their families, caregivers and communities. We do this by advancing evidence-based mental health research that is problem-solving, cost-effective and usable in the real world.We all have mental health. Mental health is the foundation for our emotions, thinking, communication, learning, resilience and self-esteem. It allows us to form healthy personal and professional relationships, sustain our emotional well-being, and contribute to our workplace and society. Mental illness occurs when a mental health disorder or condition disrupts our normal functioning. By the time Canadians turn 40 years old, 50% of us will have – or have had – a mental illness.Because MHRC is committed to building knowledge that will have deep impact with Canadians, we place at the centre of our research process those who will use it – people with lived experience. We also consult and partner with other funders and stakeholders, including other mental health organizations, social agencies, entrepreneurs, business and government, in creative and collaborative ways.
Wednesday, 8 July 2020
Databomb: Instructions To Your Revolution
If you haven’t heard it yet, you can find the song “Instructions To Your Revolution” here: https://twitch-official.bandcamp.com/track/instructions-to-your-revolution-2
Aaand, if you haven’t yet, you can download the album here: https://twitch-official.bandcamp.com/album/databomb I mean, I don’t know why you wouldn’t, it’s free!!
Sunday, 5 July 2020
Databomb: Save The Freaks
Wednesday, 1 July 2020
Yeah, I turn MATH this year... According to "Hitchhikers Guide To The Galaxy"
Tuesday, 30 June 2020
Mixing Tests: The Inconsistency of The Various Audio Players
There's also the tip of: listening to the rendered mix on various audio systems, like computer speakers, earbuds (on your iOS device), and maybe even in a vehicle sound system, much like they would in the past... to get somewhat of an idea of what your mix will sound like... you want to make sure that the audio is fairly consistent on all those systems!
I realize some of these tips are obvious, but in the past I wouldn't really think about this kind of stuff, and just kind of get an idea with just my monitors... it wasn't until recently, in the last few years that I've actually really started to listen to the mixes on various systems... to get a better idea of how everything sounds, and to make sure everything is fairly consistent across all those systems!
P.S.: The image included in this blog is of Trippingonacable Studios, circa: 2001 - 2004, in Calgary, AB, Canada. We have come a long way since then. This was the first iteration of Trippingonacable Studios. We were using a custom PC with a Soundblaster sound card, Impulse Tracker (sequencing software), and eventually Jeskola Buzz Tracker (another sequencing software, but with inbuilt synths and all that kind of shit), combined with a Tascam Portastudio 414 (used as a mixer with audio connected into the sound card, so we could capture guitar samples. As well, we would bounce the audio down from Impulse Tracker to the Portastudio, do vocals on the Portastudio, then send them back into the computer as completed songs, and render them as WAV files or MP3s), as well as a shitty guitar, and a Samson Q mic. My monitoring was done on computer speakers with no sub-woofer. Lot's of fun in the old days, had no idea what the fuck I was doing, but as time has passed, obviously have gained a lot more experience, and I think better mixes of tracks and better songs!























