Mental Health... and Why I Think it's Important, Especially Now (2020)!

(Hate has no home anywhere!!)

Ok, I figured I would get into this a little bit, cause a little earlier today, I was out on my balcony, and I noticed a crowd of people hanging out at the Safeway across the street from me. There was about 10 of them... and something I've noticed about the area recently, is that there are a lot of drug users and shit coming into the area... and they are doing drugs right out in the open... wherever and whenever, could be broad daylight, could be in the evening. With the recent going-on's in the world (you know, the pandemic and shit), and everyone being affected by these things... our provincial government decided to defund the safe injection sites in the area... and now there are an influx of drug users in the area... and it is really fuckin sad... cause these people used to have somewhere safe to go, and now they are doing it wherever and whenever... and they are not getting at least some of the help that they need, and likely there are gonna be overdoses and people dying in the street in the area... now you would think the government would have kept them open, being that, right now... and especially right now, that there is a lot of stress and a lot of people suffering in the mental health department, which would lead to more people using... so you think it would be logical to keep things open, so people don't fucking die unnecessarily!

So, I'm gonna say here again, drug use... is a mental health issue! Generally, people use, cause they have an underlying mental illness that they are trying to cope with, or... they have deep seated trauma, that they don't know how to deal with, and once again... try to cope by using drugs. I could get into some commentary on why I think we should legalize all drugs, but that is maybe something I'll get into another time. But, what I'm getting at is... if these people learnt better ways to cope... without the use of street drugs, but proper counselling and maybe medication of some kind (if there is a mental illness involved)... I think that most if not all drug addiction issues would be solved! If we deal with drug addiction as a mental health issue, rather than an addiction issue... that the government thinks should be criminalized, I think society and humanity would be in a way better place, cause these people would have tools and proper coping techniques that will keep them away from using street drugs.

I also want to mention here, that I do think that racism, and hate... is a mental health issue as well. Think about all the time and energy someone puts into being hateful and angry at someone who has a different cultural background than themselves. They aren't happy. They have not found inner peace. They feel that they need to spread their hatred and anger. They feel that people of other cultural backgrounds should not live... some people are so angry that, they want, or are willing to take another persons life, because they are from a different culture, or are a person of color, or whatever. That, is a mental issue... and ultimately that boils down to a mental health issue.

So, once again I'm going to mention here, my music endeavor Twitch... we are trying to raise funds for the Mental Health Research Canada charity... so if you want to support this cause, in helping better research when it comes to mental health... and finding better ways to cope... from July 10th/2020 to August 7th/2020 we will be donating all album sales on our Bandcamp here to the Mental Health Research Canada charity! You can find more info about them here! 

We hope you consider supporting this great cause, and hey... I mean you'll get some great music out of it!!

Stay safe folks!

Mixing Tests: The Inconsistency of The Various Audio Players

(Ye, old Trippingonacable Studios circa: 2001 - 2004, Calgary, AB, Canada)

Ye, so once again we are doing mixing tests, and the one thing we are noticing is the inconsistency of the various audio players. I mean that shit is fairly obvious, but ultimately quite annoying when you are trying to get somewhat of an idea of what your track sounds like when they are mixed down and rendered. I guess it's just annoying, when mixing a track down to a WAV and then playing it, in an audio player, like iTunes or the Windows Media Player, there are soo many goddamn inconsistencies in the audio (between the various audio players)... you begin to wonder, or at least for me, I wonder what exactly needs to be fixed in the track... even in iTunes... the EQ feature they have, fucks up the audio too... so you're not getting a very accurate picture of what needs to be fixed in the mixes.

The solution for me, for this issue..? First, turn off any EQing that the audio player inserts while playing the track (once again I know this is obvious, but some people may not be aware). Second, most music that is distributed online is via streaming platforms, like iTunes, Spotify, Bandcamp, etc... When mixing and mastering, I keep those platforms in mind. I will also say, as a tip: at least I've found, get the WAV file or whatever lossless audio format you are rendering to, to sound the best that it can, I've found once the WAV file sounds good, then rendering down to a MP3 things generally sound good!

There's also the tip of: listening to the rendered mix on various audio systems, like computer speakers, earbuds (on your iOS device), and maybe even in a vehicle sound system, much like they would in the past... to get somewhat of an idea of what your mix will sound like... you want to make sure that the audio is fairly consistent on all those systems!

I realize some of these tips are obvious, but in the past I wouldn't really think about this kind of stuff, and just kind of get an idea with just my monitors... it wasn't until recently, in the last few years that I've actually really started to listen to the mixes on various systems... to get a better idea of how everything sounds, and to make sure everything is fairly consistent across all those systems!

The overall feeling of these mixing sessions: things are going well with these mixing tests! I'm very happy with the way things are coming out, and progressing... and I'm learning a lot! I can't wait to utilize these new found skills in upcoming audio productions and endeavors!! As I already stated in a previous blog, things are really starting to make sense... and rather thinking of this as a science, ultimately it really is subjective, and you kinda got to keep in mind what you are going for in the mixing process, and make sure that all the tracks on whatever album or EP or whatever you're working on have a consistent mix between all the tracks on said album or EP!

P.S.: The image included in this blog is of Trippingonacable Studios, circa: 2001 - 2004, in Calgary, AB, Canada. We have come a long way since then. This was the first iteration of Trippingonacable Studios. We were using a custom PC with a Soundblaster sound card, Impulse Tracker (sequencing software), and eventually Jeskola Buzz Tracker (another sequencing software, but with inbuilt synths and all that kind of shit), combined with a Tascam Portastudio 414 (used as a mixer with audio connected into the sound card, so we could capture guitar samples. As well, we would bounce the audio down from Impulse Tracker to the Portastudio, do vocals on the Portastudio, then send them back into the computer as completed songs, and render them as WAV files or MP3s), as well as a shitty guitar, and a Samson Q mic. My monitoring was done on computer speakers with no sub-woofer. Lot's of fun in the old days, had no idea what the fuck I was doing, but as time has passed, obviously have gained a lot more experience, and I think better mixes of tracks and better songs!

Twitch may be retiring... it's guitar...

Yes, that is my guitar! I've written many albums, singles, EP's with it... with the exception of this most recent album "Databomb", and my last EP "Instructions To Your Revolution". This last Friday I decided to plug it in and play around a bit... unfortunately, there was no volume. Every time I touched the volume knob, it crackled... and I eventually messed around with it enough, to get a tiny little bit of volume... (although it was cranked to 10). I unplugged it and took a look at the internals... everything is connected and seems to be fine... no fucked wires or loose wires or anything. The pick-up switch is also fucked, makes noise, and volume will cut out if you touch it fuckin weird.

This guitar I've had since the beginning of my music career, I purchased it when I was around 17 years old from a friend, I paid $75 for it. It was one of those cheap starter guitars, that is some weird brand name, that you wouldn't recognize... the company that made it, probably doesn't exist anymore. When I originally purchased it, I didn't have an amp for it, but I plugged it into my parents stereo and played through that. A couple years later, I would start a band called Adam Hates You... that was my first industrial band (although, we didn't really write any songs, and we didn't play any shows), but this guitar was there. Eventually, I would move to Calgary, and this thing followed me. That's when I started to write the first Twitch album. I sampled the guitar, and threw it into the tracker program (sequencing software) I was using to write music with. Course along with those samples, I had a friend that helped with other guitar parts and recorded those onto the album. Over the years, I used the same technique to write the guitars (sample it, then sequence those samples). Eventually, I would acquire a different kind of writing/recording/sequencing software, and I would finally be able to actually record parts without having to sample in little chunks, "ant" and everything moving forward, outside of the two most recent releases.

There have been countless times I've brought this thing back to life, so many times that it somehow got fucked, and I fixed it. The last time, I had a friend fix it. It worked for a long time, and then this last Friday... it looks like there is nothing I can do this time to bring it back to life, and quite frankly... I will likely not be taking it to some guitar tech to repair it... the repair will cost more than the guitar is worth. It is time to retire this guitar, I will miss this friend, (although, I'll probably keep it, and mount it on the wall or something like that), the last 25 years have been amazing, and I'm glad I got so much life and use out of this thing. Time to hang this piece of history up, and replace it with... well, not sure yet, but I'm sure whatever it is, it'll be great!!

See ya "renegade" guitar!

Studio Diary: Things don't need to change... (Update)

(What's in this dark photo..? Inspiration? Maybe...)

Ok, so... I feel right now, with what I'm doing in the studio... I really don't want to take the time to move shit around right now. I'm actually really enjoying and liking my set-up the way it is. My synth is a little far away from my desk, but I don't mind right now, and I'm liking standing at my synth, rather than sitting. Also being that, I'm kinda doing something creative in that respect... like I said above, don't want to interrupt the creative process right now... I also feel kind of inspired with the current way things are set-up and such... soo, yeah... gonna leave it for now.

So, we are doing something different with our creative process right now, and it feels good... I will say the stuff I'm doing right now, and the way I'm doing it is definitely a learning experience! I hope this works out in my favor and I can meet this challenge! It almost reminds me of the old days of using tracker software to get things done, but also kinda new too, cause it's forcing me to make decisions and... well... when this is done... you'll know!

What is the meaning of the song "Death Cult"?

Here we discuss the meaning of the song "Death Cult" off the Twitch album "Databomb"!

Book: Electri_City by Rudi Esch

Finished reading the book "Electri_City" by Rudi Esch... took me a while to get through it, I've been slowly reading it since well... quite some time! "Electri_City" is about the history and birth of electronic music... where it all started and how it shaped future music including techno, electronic music and maybe even industrial, and pop. The book primarily centers around the city Dusseldorf... where Kraftwerk and other bands were birthed, like Neu!, La Dusseldorf, OMD, Propaganda... and all sort of other bands, including a very well known industrial band Die Krupps... which, one of the members (Rudi Esch) actually put together this book! It was very interesting reading it... to find out where electronic music was birthed... and how it evolved... the story is also slightly sad... even though electronic music was birthed in Dusseldorf... it seemed very bleak, and there were a lot of missteps by the bands involved. Granted they came to shape the beginnings of electronic music... but too be quite honest, the impression I got was, there actually wasn't a lot going on in the city... like, yes, very well known bands had came out of that city, but I kinda felt like it was one stumble to the next. I will say though, it was very interesting reading about the gear that these bands had been utilizing, and actually creating on their own, because what was out there, wasn't meeting their needs, so typically bands like Kraftwerk created their own instruments and pieces, or they and other bands modified commercial gear to work with other pieces of gear, so they could get the result they wanted! The book is written in interview style... Rudi Esch recorded interviews with various artists to tell the story of Dusseldorf and how electronic music came to be... then transcribed the audio into text and there you have it. You get to see the story through the eyes of each artist, that was a pioneer in the scene... and it is very conversational! I highly recommend picking up this book to read the history of electronic music, and if you read through to the end, they get into some of the key gear that was used to make the sounds and music of these pioneers! Anyway, as I said... I highly recommend this book! It's interesting to see bands that have had an influence on pop, synthpop, techno... and even industrial!!

Assemblage 23 and Their Influence on Twitch

Here we are listening to Assemblage 23, and I thought why not write something about how they influenced us in the early days of Twitch. So, back sometime in 2002 I started to write Twitch's 3rd album "TCP/IP", and it was heavily inspired and influenced by Futurepop and EBM... it was definitely a departure from what Twitch normally does (quite frankly after releasing it in 2003, I thought it was a mistake), but while writing the album, I had been listening to Assemblage 23 around the time, and I really loved Tom Shear's lyrical and vocal style, and the rhyming schemes... I loved the way the lyrics rolled out of his mouth in the songs 'Anthem' and 'Sun' off the album "Contempt", I would almost say they were hypnotic.

(Anthem)

(Sun)

(If you don't know who Assemblage 23 is, here is the wiki)

So, I started to write my lyrics a little differently, with similar rhyming structures. I would also say, some of Tom's programming is excellent, and some of that has influenced us a little tiny bit as well... especially some of the drum patterns and such, how they are sequenced and such. Granted, not all of our songs are influenced by Assemblage 23, but I will say, they definitely have had their influence on us!

Here's a couple of songs off of the album "TCP/IP" by Twitch:






After I released this album, it wasn't truly the direction that I wanted to go, and I kinda felt like I was wandering off the beaten path at least for Twitch, but... Assemblage 23 has continued to influence us over the years... and I won't be surprised if they continue to influence us!

Nine Inch Nails... Further Down The Spiral...

I've gone on a very long stint, of not listening to Nine Inch Nails... but the last couple of days, I've been really enjoying them! I think it was probably good that I hadn't listened to them in a while, cause listening to Nine Inch Nails these last couple of days is reminding me why they are my favorite band of all time! Today, I was listening to "The Downward Spiral" and the various singles and EP's that came off this album... and something that came up in the playlist was "Further Down The Spiral"... now, "Further Down The Spiral" is a remix album... but as it came on... I realize I really enjoy this... when I was younger, I remember hearing "The Downward Spiral" at a friends place, and when I went to go and purchase it, I couldn't remember the title of the album, and mistakenly picked up "Further Down The Spiral"... I remember popping it into my CD player and realizing it was not "The Downward Spiral", I didn't return it to the music store and exchange it though... I kept it, cause I liked it.

The first thing that stood out for me, was the abrasive sound it had throughout the album... it was noisey! (A side story: After I purchased it, I remember taking it over to an girlfriend at the time, parents place and popping it into the CD player, and her mom said "...wow, they must have been on some serious drugs to write something like this!”)... This remix album has several collaborators on it, including Aphex Twin, members of Coil, J.G. Thirlwell, as well as Nine Inch Nails live members! Now listening to this remix album... it really is further down the spiral... like I feel like it takes the songs off "The Downward Spiral", and really fucks them up! I feel like this is the last statement of "The Downward Spiral", and pushes the songs into a deep and dark territory! Kinda like a last gasp of breath before drowning.

So, I guess... I'm just really enjoying it, and remembering why I like this remix album... I kinda feel like out of all the remix albums that Trent has done, this one stands out, cause there was a list of collaborators, as well, I feel like... when you listen to traditional remix albums... there really isn't an artistic statement associated with it, typically it's just other bands doing remixes and that's it... with "Further Down The Spiral" I feel like there's an artistic statement, that takes the story of "The Downward Spiral" and expands on it... and goes deeper.

Yeah, really enjoying it right now!

What do you folks think of "Further Down The Spiral"?

Prong: Why I like 'em...

Well, here's a band I've been into since my mid teens... I think the first album I heard of their's was "Cleansing", of course the first song I heard was "Snap Your Fingers, Snap Your Neck", matter of fact, I probably saw the video for "Snap Your Fingers, Snap Your Neck" before actually listening to the album. The one thing I noticed and remembered from this album, is they really had a semi-thrash kind of sound mixed with a darker feel. Something I didn't realize until my adult years, was that Prong, maybe not in their early days, was influenced by darker, industrial sounds... they started to add samples and synths and such to their albums (around the "Prove You Wrong" era), and the "Cleansing" album was definitely influenced by industrial metal (I loved this album as a teenager)... and then they would carry on and go deeper into the dark angsty industrial metal sound with their album "Rude Awakening" which is probably my favorite album by them. I just love the way it sounds... so dissonant and so bleak. The main man, Tommy Victor (vocals and guitars) would end up working with Danzig as a live guitarist, and eventually as a co-writer on an album (You can see him in the Danzig video "Sacrifice"), Tommy Victor would also end up falling into the Ministry camp with Al Jourgensen as a live guitarist as well as a co-writer on "Rio Grande Blood" and "The Last Sucker". 

(Who's Fist Is This Anyway?)

Why do I like Prong..? They've always been on the periphery of industrial music, and Tommy Victor has influenced a lot of bands in the scene... granted they may not be the most popular band in the industrial scene... but they've always kinda been doing something in the background, whether it was releasing their own albums, or Tommy playing roles in Danzig, or Ministry... they were even influenced by post-punk band Killing Joke... I know a lot of folks may not consider them a part of our scene, but I really do think they belong there at least as a crossover band... like I said, they've always been on the periphery. They've even influenced our own sound in the past... I love their guitars, not really sure how to describe them... they're kind of dissonant, and when you hear a Prong song, you know it's Prong, just for the sheer fact that they kind of have their own sound, and Tommy Victor's trademark vocals! Yeah, even though Prong is more on the industrial music periphery, and they are more of a crossover band, I do like their sound and darkness!

(Snap Your Fingers, Snap Your Neck)

Would you fit Prong in the scene? Where do they land on your periphery?

Skinny Puppy: The Process

Well, I'm listening to an older Skinny Puppy album called "The Process" today, and I absolutely love this album! I started listening to again recently, and I just love the way this album sounds... not just musically, but the production and sound design that went into it. This album certainly sounds different than all their previous efforts... If you haven't followed Skinny Puppy for very long and you're interested in their history, you can find the wiki here! I will touch a little upon this album... Ogre and Cevin Key, and Dwayne Goettel were fighting with each other, Ogre was trying to stay clean, and get off drugs, and from my understanding Cevin Key and Dwayne were using drugs excessively, which made the process recording it very long... which in turn their label at the time, reduced their contract of three albums to only one. A lot of the process of recording was plagued with fires, and floods as well. Ogre moved to L.A. in this period and was finishing up "The Process"... then eventually Goettel and Key went back to Vancouver with the master tapes... and Ogre quit the band... it was a couple months later that Dwayne Goettel died of a heroin overdose. Eventually, the album would be released... and dedicated in the memory of Dwayne Goettel. The circumstances surrounding the album are very sad, this would be Skinny Puppy's last album, until they rejoined forces in Dresden a few years later... I do love this album, just for the sheer fact that it sounded soo different than their previous efforts... the production and song structures, it is definitely more accessible than their previous efforts, and probably their most "poppy" endeavour to date! This was either the second Skinny Puppy album I picked up or the third... I remember popping it into the disc player and listening to it for the very first time and being surprised by the way it sounded... it sounded soo much different than "Brap 3 + 4"... at first I wasn't sure what to make of it... but listening to it now, I realized I really do love this album, it may not be my favorite Skinny Puppy album, but, if I haven't said this enough, it sounds soo different than their previous efforts, that it really stands out as something different for me!

Here's "Hardset Heat" off of "The Process":

and here's "Jahya" off of "The Process"

What do you think of "The Process"?

Atari Teenage Riot: Why I like them!

Yeah, if you've been in the scene for a while, you may know of a band called Atari Teenage Riot. Granted they aren't exactly industrial, they call the genre of music they create Digital Hardcore... which funnily sounds like a mixture of hardcore punk, and hardcore techno mixed together. I would say they step into the industrial realm slightly though, there are definitely industrial elements in the music. I first came across them in 1997 when a former band member introduced them to me... as his own music was inspired by ATR. I eventually found their album "Burn, Berlin, Burn!" in a record store in Saskatoon, Saskatchewan here in Canada. Atari Teenage Riot started in 1992 in Berlin, Germany. They took their name from a Portuguese Joe song called "Teenage Riot" and added 'Atari' to it, as they used an Atari ST computer to compose songs. Their tracks are highly political, with a very anarchist and anti-facist view. They were and still are quite chaotic and noisey, their songs at least in the beginning, mixed hardcore techno with breaks screamed vocals, and sampled guitars and shit... funnily enough, if I'm not mistaken they sampled Slayer, The Sex Pistols, Nirvana, and all sorts of other bands!

I think the one thing that stood out for me was the screamed vocals, and general chaos with the songs... there is song structure, but I feel like the way things were written and sampled it came out really chaotic... which I really liked! Also, their shit has become more and more pertinent with what's going on in the world politically. They have started riots with their performances! Years and years later, seeing their performances (on Youtube), and how they put together their live show, I find really inspiring! When I was writing the first Twitch album one of the songs I wrote on that album I exclusively sampled one of their songs... not gonna tell you which song, not sure you would recognize the sample I used anyway, as I pitch-shifted it and distorted the fuck out of it!! If you are curious, here's the album:


(And hey, this album is free... so fuckin download it!)

Over the years, Atari Teenage Riot, has remained relevant, and still very politically charged! They came to our city (Calgary) at one point, I could of gone to that show... and now I kind of regret not going, I would love it if they came back... as it would be amazing to see them live!
Are you folks into ATR? If so, why do you like them?

Twitch "Yeah, Fuck It... Let's Go!!" Releases

Our next single "Yeah, Fuck It... Let's Go!!" releases today!




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Industrial Bands That I Wish Were Still Doing Stuff

Alright, today's blog is all about bands that are no longer doing stuff, or have been inactive for a long time that I wish would become active again!

The first band that had a very short life, that I thought their music was excellent was; ERROR. This band was a project of Atticus Ross (now a member of Nine Inch Nails)... it was quite short lived, they put out one EP, and it was kind of in the vein of digital hardcore mixed with industrial. The lyrics were quite nihilistic too. I wasn't really a fan of the lyrics and the subject matter, but I thought the music was excellent, and when I first heard it, I was hoping for more releases. Unfortunately, it didn't make it past the first EP, and I think they could have released more material cause it was quite good!

Here's ERROR's "Nothing's Working":

The second band I wish was still active is Wumpscut! Now, we all know who Rudy Ratzinger is, and his endeavour Wumpscut (if you don't know, here's the wikipedia). I'm not entirely sure why Rudy ended Wumpscut, from what I understand, as time went on, his project started to not do as well commercially (at least in the goth/industrial scene), and he felt the project was dying. So, he decided to cut his losses and fold it. Wumpscut for me was, at least in the earlier days, was highly influential, and inspirational for my own endeavour... and I feel like Rudy could have continued.

Here's Wumpscut's "Soilent Green":

The third band I wish was still active, or has been silent for a very long time is; Necro Facility. Now this band, kinda started off sounding like Skinny Puppy, and from my understand they were highly inspired by Skinny Puppy. Their earlier music I wasn't too keen on, but their last release called "Wintermute" took their music in a more poppy direction... and was quite excellent! It is my favorite album by them, and I thought they could have continued, cause I thought this album really set them outside of what they were doing previously, and they really were starting to create their own sound!

Here's Necro Facility's "You Want It":

Obviously there are a lot of other bands that I wish were still active, but I would say, these are the three that really stand out for me!

What bands do you wish were still active?

My Favorite Bands that were on NOTHING Records:

Well, if you haven't read my blog post about record labels that I wish were still around, you can find that here! If you have read that, you would have noticed a record label called NOTHING Records that I mentioned that I wish was still around, well today's blog is about NOTHING Records and my favorite bands that were signed to that label, other than Marilyn Manson and Nine Inch Nails. So, here's my favorite bands that were signed to that label:

1. This one is pretty obvious, their mix of pop, hiphop, and electronics I find highly inspirational and may not have influenced Twitch in the early years, but definitely in the recent years is: Pop Will Eat Itself! I remember when I first came across this band... I remember listening to them in a music store for the first time from one of their earlier albums (before they were signed to NOTHING), and they didn't really jump out at me, and I thought it was kinda funny that they were called Pop Will Eat Itself, and their music was kind of poppy and catchy... it wasn't until many years later (sometime in the early 2000's) that a DJ at one of the local clubs here played "Ich Bin Ein Auslander" and after hearing that for the first time I loved it! It was such a good song... so eventually I went and purchased the album "Dos Dedos Mis Amigos"... It's too bad they dissolved after this album, I felt like this was probably their strongest album. I would have liked to see them produce more stuff, with Clint Mansell as their lead vocalist. I know the other vocalist Graham Crabb eventually restarted the project... and released a new album (I haven't heard it yet), but yeah... this was one of my favorites off the NOTHING Records label. If it wasn't for "Dos Dedos Mis Amigos", I wouldn't have started to pick up what's in their back-catalogue, even though initially it didn't seem to stick out to me, and kinda was more poppy than their NOTHING release. If you haven't checked them out, I would highly suggest picking up "Dos Dedos Mis Amigos" and take a listen! Here's "Ich Bin Ein Auslander":

2. Here's another band that was a favorite off the NOTHING roster; Prick! Now, I had seen their music video for "Animal" when I was younger, probably on a late night show on Much Music or something like that. Initially, I thought it was good, but at the time I felt the video was a little weak, and didn't really fit the NOTHING roster... then a few years ago, I was searching for stuff on Youtube, and I came across a playlist containing their full first "self-titled" album. I took a listen to it, and I realized I actually really liked them. I think what turned me off initially with the video for "Animal" was that I felt like everyone was jumping on the Industrial Rock bandwagon (it was getting very popular at the time), and I felt like it wasn't dark and angsty enough... but after listening to the full album a few years ago (probably 5 or 6), I realized they were actually pretty good, and I think I was too young to really appreciate the music and videos for what they were, when I initially heard them. If you haven't checked Prick out, here's "Animal", I suggest taking a really good listen to their stuff, especially their first "Self-titled" album:

3. Ok, the third band off the NOTHING roster might be a surprise to you folks, they didn't actually stick around for too long, but the music is excellent... it is Rob Halford's 2wo. Loooooong time ago (1998 sometime), I first heard 2wo, after my girlfriend at the time had returned from Germany, and she popped it into the CD player, I had no idea that it was Mr. Halford, and once again thought it was another artist jumping on the industrial rock bandwagon, because that what was popular at the time... but I quickly learnt, that it was Rob Halford, and that a lot of the production on the album was actually Reznor and Dave "Rave" Ogilvie adding elements after the songs were actually completed, and they kinda rebuilt the tracks... and that is why the tracks had that industrial element to them. Even though I initially thought it was another artist jumping on the industrial rock bandwagon, I actually thought, at the time, it wasn't all that bad. After all these years listening to this again, it really isn't all that bad, and it was kinda cool that Rob Halford did this, it was so different from Judas Priest, and really strayed off the path for most of his artistic output, but yeah this was definitely a favorite! Here is "I am a Pig":

These were my favorite bands off the label besides Mr. Reznor (Nine Inch Nails) himself, and Marilyn Manson. What are your favorite bands off NOTHING Records?

Isolation, and Maybe The Answer to Having A Semi-Social Life...

(Photo courtesy of Katja Moeller)

Well, as you may have read in one of my previous blogs "Embracing The Isolation" here, the last little while I've experienced a bit of isolation, a kind of forced isolation (not really my choice, more of just, not being able to get out with friends as much as I would like to, and also kind of trying to achieve some goals monetarily-wise), and I want to touch upon the subject again, as a couple of days ago, I went for a long walk, and I was thinking about some things I could do to get out and just be in social environments... and I was reminded, that waaaay back in 2001, I used to have this routine, where every Friday, I would hit up an internet cafe, here in Calgary, and surf the net and just be around people, every-once-in-a-while I would play some team based games (Counter-Strike) that they had available as well, I fuckin sucked, I died a lot but, I think just being in that environment allowed me to just be around people, even if I was only there to surf the net. I remember when that stopped, cause I got internet at home, so there was no reason to do the usual internet cafe routine...

...Sooo, I was thinking about it, and I'm like "Maybe I need to do that again..?", so I think I'm going to re-introduce that into my routine... just so that I'm out and around people, even if I'm just doing my own thing... then at least it's an evening that I'll definitely be out, and get in some social time. Not sure where I'm going to hit up yet, but I'm thinking I could spend a couple of hours in a pub or a coffee shop with my laptop, and work on creative endeavors... I mean if I wanted, I could work on writing music (as the software I use to write is on my laptop), or other creative things I want to do... The time I spent in that internet cafe, even though I wasn't really chatting with anyone, it was good to just get out and be in an environment where I could be social if I wanted to... sooo, I think in this New Year I'm gonna try that again and see if it helps alleviate some of this isolation (I know I can't get away from it completely, but at least I'll be doing this)! Not sure what day I'm gonna pick to do it, not sure I'll be able to pick a specific day anyway, as our rehearsal schedule is generally dependent on when my live guitarist is available, and shows can be on weird fucked up days too, but maybe it doesn't have to be a specific day of the week, maybe it's just, a day during the week I have available that I make the decision to force myself to get out and be around people.

(Photo courtesy of Katja Moeller)

If you folks haven't guessed yet, I'm a very social person, and I need a lot of social time... that's why I feel isolated a lot, cause I'm not getting in enough of the social time I need. I think the one thing right now, outside of my job (Mon-Fri) and the one day I have set aside to do music stuff (Saturday), I don't really have a routine thing I do (like I work-out almost everyday of the week, and I do meditate on Tuesday evenings, and spend the evening not doing anything music related [need to have one evening just to relax], but outside of those things, my social schedule is all over the place)... our rehearsal days could be any day of the week, and as I stated above, my guitarist, his work schedule is usually all over the place, so we have to work around it, unfortunately... and we never know what day shows happen (not that I mind that though)... and I never really know when I'm getting together with friends (there have been times I've gone a couple of weeks or longer without actually seeing anyone, except when I have to get groceries or I force myself to hit up a coffee shop or something), so I think I've got to make more of an effort every week to get out and be in a social environment. I guess the other thing is, I feel like this isolation is actually helping me to be productive, and creative, and I want to maintain that level of productivity... so maybe when I do go out to a pub or coffee shop, I'll make sure I'm working on something creative, whether that's music or music related stuff! What do you typically do when you feel isolated? Let me know!

Thank you for reading,

(Your Canadian Goth / Rivethead)

Shayne "Daemon_w60" Lawrence

Resources for Industrial Music Production, Recording, Writing!

(Trippingonacable Studios)

These days there really isn’t a lot of Industrial music production forums and blogs anymore, so I thought I would share the resources from as many sites I could find, that have been archived or are still around to help anyone who is interested in getting started in writing, producing, recording, or performing industrial music. I figured I would try and compile all the resources I could from places that I frequented on the internet, and various sites and such, from when I was younger... I hope you find these helpful!

New York Industrial Front: this site is now archived... but I found this site very helpful when I was getting started, and to kinda get perspective when doing industrial music, and performing live and all that stuff. Here is the site: https://www.oocities.org/sunsetstrip/studio/4696/

Here is a couple of resources from that site:

How to make industrial for free: https://www.oocities.org/sunsetstrip/studio/4696/howto.html

How to make industrial for next to nothing (You’re all spoiled): https://www.oocities.org/sunsetstrip/studio/4696/howto2.html

Advice for Industrial bands playing out: https://www.oocities.org/sunsetstrip/studio/4696/howto3.html

Note: I do realize the content from these links are a little dated, but the advice is still solid, so take a read and apply this to a modern industrial band.

Knobs & Sliders: This blog is/was run by Michael Arthur Holloway, you probably better know him as Dead When I Found Her. You can find tips and info regarding industrial music production, especially when creating sounds that are reminiscent of older Skinny Puppy: http://knobsandsliders.blogspot.com/

Koney-Industrial Blog: now this blog was a little more geared to industrial techno, and industrial hardcore, but they listed a lot of cool VSTs (software synthesizers for you noobs), and the odd production technique and such: http://koney-industrial.blogspot.com/

Gearslutz (Charlie Clouser forum): I’m sure some of you are aware of this but, Charlie Clouser of Nine Inch Nails fame (The Downward Spiral, and The Fragile Era’s) participated in a very long discussion regarding gear and such that was used for the various eras of Nine Inch Nails… the forum posting is quite massive, but there’s a lot of good stuff there if you are patient and curious… you can find it here: https://www.gearslutz.com/board/electronic-music-instruments-and-electronic-music-production/605445-nine-inch-nails-synths.html

WaveFormless Blog: This blog was run by Tom Shear of Assemblage 23... there's gear reviews as well as reviews of VSTs and stuff like that, all stuff pertaining to the electronic/industrial/ebm type scenes, you can find it here: http://waveformless.blogspot.com/

There are also Reddit forum topics discussing this as well, but I am not too familiar with Reddit, and have only used it a couple of times (but not for industrial music production itself)... so, I'll leave it up to you to find those specific posts!

Here are a couple of Reddit posts that I found about Industrial Music Production:
https://www.reddit.com/r/industrialmusic/comments/2eexk3/anybody_else_starting_to_make_industrial_music/

https://www.reddit.com/r/industrialmusic/comments/9wih9w/industrial_music_makers_how_do_you_make_your_music/

https://www.reddit.com/r/IndustrialMusicians/

Note: There are also a ton of resources out there on Youtube and such, when it comes to general knowledge in music production, mixing, and mastering! There are not a lot of resources for industrial music production specifically, but there are tips and tricks for general music production.

One word of caution; if you are new to industrial music writing/recording/production/etc... don't get too caught up in who used what gear to achieve what sound for what album type shit. In the end, it really doesn't matter what gear you have or don't have, be resourceful and create those sounds with what you have. I find too many people get caught up in the "What gear should I buy to achieve 'x' sound?" syndrome... nowadays it really doesn't fuckin matter (if you read through the New York Industrial Front stuff above, you will understand where I'm coming from)... get creative, and maybe you'll create a sound that sounds like you, rather than someone else!

Anyway, let me know if you find these links helpful! And, if you have any other resources that should be added to this list, please leave those sites in the comments… I would like to make an exhaustive list of all the available resources online that we have today!

Record Labels I Wish Still Existed...

There is so much good music out there these days! Some of it independent, some of it signed to labels. As in the present, the same holds true for past music releases, but some of those excellent record labels that existed in the past, don't exist today... today's blog is all about past, now defunct record labels that I wish were still around... the first one is:



Gashed! Records:

Gashed! Records started in 1998, as a way for Eric Deegan to promote quality electro-industrial bands that were often overlooked and unappreciated by larger industrial labels... some of the bands that were signed to Gashed! were: Assemblage 23, Aghast View, Negative Format, Abscess, NCC, . I really liked Gashed! They had some pretty cool bands signed to the label... and they helped in the success of some of the more well known bands in the scene now, specifically Assemblage 23. The other thing about Gashed! is that they were a local label out of Calgary, Alberta, Canada... and it was really cool having a label of their status based out of this city! I found sooo many cool bands because of them! My first purchase from the label was a budget compilation called "Virion Sequences", there were a whole shitload of cool bands on that compilation... I still have it actually... the artwork for that release was pretty cool too! I think it's amazing that the local scene here had such an amazing label, and I think it really put Calgary on the map as far as the industrial scene in Canada goes. You know, now that I think about it, I guess it's not so much that I miss the label, it's that the city had enough of a scene that it could support a label like that!


The second label I wish still existed is:

Wax Trax! Records:

We all know why I wish this label was still around, I'm sure a lot of you folks feel the same way! Wax Trax! was an iconic and pioneering label when it comes to industrial music... if it wasn't for them, EBM band Front 242 would not have made the impact it did, KMFDM wouldn't have made the impact they did, Al Jourgensen wouldn't be as successful as he was, I mean Front Line Assembly wouldn't be where they are today without Wax Trax!, fuck... VNV Nation, My Life With The Thrill Kill Kult, Meat Beat Manifesto, Revolting Cocks, Chris Connelly, sooo many bands and artists in the goth/industrial scene would not be where they are today without this label... It's really too bad the way things ended (TVT takeover)... I mean it would be awesome to see more bands pour out of this label, if it could carry on! I'm glad that Julie Nash is keeping the memory of her father Jim Nash and his partner Dannie Flesher alive with the recent documentary "Industrial Accident: The Story of Wax Trax! Records" as well as the pop-up shop she did... I'm hoping there'll be more of that kind of stuff in the near and into the far future as well!


The third label I wish still existed is:

NOTHING Records:

Now this label was Trent Reznor's (Nine Inch Nails) personal label... and there were sooo many bands that came off this, first of all Marilyn Manson was signed to it for I do think three albums ("Portrait of An American Family", "Antichrist Superstar", and "Mechanical Animals"), he is a shock rock icon now... Pop Will Eat Itself was also signed to it for their most popular release in the States "Dos Dedos Mis Amigos" (as well as several singles off the album), which was probably one of their most popular records of all time, and the track that kind of made it for them was "Ich Bin Ein Auslander". Another band signed to the label was Prick... sooo many good bands were a part of NOTHING Records... I kinda wish Trent didn't dissolve the label after he ended up suing his business partner for hoarding profits or whatever... Granted NOTHING was a vanity label, but it did very well, and broke some awesome bands... Trent started NOTHING Records so that he could keep the artistic vision of Nine Inch Nails out of the control of major labels... and he could do whatever the fuck he wanted to artistically speaking! Granted even though NOTHING Records is gone now, he still retains control of his releases, and if I'm not mistaken, he releases NIN stuff under The Null Corporation banner now... and I think it is strictly reserved for his projects and not for any other band. Although, I would say, despite the NOTHING banner being gone now, his various musical endeavors are still high-quality, and none of his artistic vision is being compromised! I guess I felt like that NOTHING Records was him, and bands he believed in and helped get them out there in the world, and I felt like it was a very strong label... and anything that was associated with it, tended to be very good... and now we don't get to see, or discover bands like the ones he supported with his label. Also, I always thought that NOTHING Records was Trent and when it came out that he was dissolving the label, I felt like we lost a major part of the whole identity of Trent and Nine Inch Nails. I mean... I run a personal underground label, currently releasing my own stuff... and a large part of the inspiration for doing that was the same reason Trent ran NOTHING... creative control.

I think these are the three top labels I wish were still around! What are your thoughts? Are there goth/industrial labels that are non-existent that you wish were still around..? Let me know in the comments!!

Sacrifices That I Wish That I Didn’t Have To Make:

There was a recent show (yesterday) that I would have liked to have gone to, but the funds that I would be spending on the show to support the bands and the bar, I could be putting that towards purchasing a new laptop for my own live show. Most of the people that know me, know I generally try to make it to most, if not all the goth/industrial shows that roll through here. Unfortunately, this time around, this is a sacrifice that I have to make… I don’t like it, but there really is nothing else I can do… and that is a reality of life, sometimes we have to make these sacrifices, and it sucks, but it’s gonna put me further ahead in my career, and I will be able to get back to playing live shows again...  In a previous blog, I had mentioned that there are some changes coming to Twitch, this is part of phase one of those changes… there are some pieces of gear that I’m unfortunately forced to update now, cause some of it, in particular my laptop is starting to fail (it’s 14 years old, and is running Windows Vista [yep, oooooooooooooold]), there are some other pieces I’ll be retiring and upgrading as well in this phase… I’m not gonna get into it quite yet, but you’ll see those updates on our Facebook page as well as our various other social media channels when they come about. If I haven’t been to your shows here lately in Calgary, I do apologize, but I’ve had to make some sacrifices and unfortunately, I can’t go to every event or show right now... but being that I couldn't be there in physical presence, here's all the Bandcamp pages for all the acts for last nights show:













Love your Canadian Goth/Rivethead,

Shayne “Daemon_w60” Lawrence / Twitch

P.S.:  and hey, if you want to help us out in our endeavor, we just released a new single, take a listen and maybe even consider supporting us ;)

Time and My Musical Endeavor

So, I just wrote a blog (note) about how I've been constantly reminded lately, that life is very short (we have maybe 100 years to live, if we are healthy), and that we should live life to the fullest, with no regrets, and no fear... this particular blog is about that fact, and how it relates to my musical endeavor.

Being that recently I've been reminding myself of how short our lives are...how we shouldn't be afraid to be ourselves and live life to the fullest, I've been really reflecting and thinking about what exactly I want to do and achieve with my musical endeavor...

(Rivethead in Toronto)

... First, I recently made a very quick and short trip to a city that I always wanted to live in (it's pretty obvious where I was from the photos), for a synth expo, and after being in that city, and realizing, I still want to live there... and that it was waaaaaaaaaaaay better than I ever I expected it to be..

... and then flying back, and then the following week I attended a day of the Alberta Electronic Music Conference to see a very well renowned audio engineer in the goth/industrial music scene give a talk about some of the production and audio engineering techniques he used on, if I remember correctly, the song "Smothered Hope" by Skinny Puppy (it's amazing that, when broken down, that song is only 16 tracks), and also some of his time working with Nine Inch Nails and such...

(The National Music Centre [Studio Bell] where The Alberta Electronic Music Conference took place)

...it was very enlightening (I had a couple of questions for him, that I didn't have to ask, cause he answered them without being prompted), there's things that my heroes of industrial music did, and still do, that I had figured was the case, but after this audio engineers talk, confirmed exactly what I was feeling and thinking! I found it highly motivating!

Something that I’ve been thinking about recently... I've had sleep issues for almost as long as I've been doing Twitch... so roughly 18 or so years (Twitch is 20 years old)... I think it might be time to embrace that... and just get done what I need to get done (of course it all has to be within reason, we all need rest, and lack of sleep will catch up with you, but)... if I'm not able to sleep, fuck it! Work on music! My lack of sleep issues are not actually stress related, they are generally because, my mind doesn't turn off like everyone else's does when it's time to go to bed, I may not even be thinking of anything... my brain just doesn't shut off... it's weird too, cause I don't generally feel extremely tired, or tired at all most of the time when I can't sleep... I do normally work-out and such, and read, as well as all my other creative endeavors, and I generally have full days and such, but the problems seems to persist... I think it's time to embrace that...I’m awake so I might as well do something! The trip and AEMCon really made me reflect on what I've been doing, and where I want to go... Life is short people! My friends already call me a workaholic when it comes to my music endeavor, but I know in my heart and my mind that I can be doing more... There's a lot in store for Twitch this coming year (fuck yeah, we're almost in 2020 here), and there are a lot of changes coming... I'm not gonna share them all here, but keep it locked to our Facebook page here for those announcements!
If there is one (or several) thing(s) you want to do this coming year, what are those things? (I really want to know!) Leave your answers in the comment section of this post!!

(Your Canadian Goth / Rivethead)

Thank you for reading,
Shayne "Daemon_w60" Lawrence

P.S.: Oh yeah, forgot to mention... in the last few months I've been getting up earlier in the morning on the weekends, cause, I know I can't say this enough, but time is short, and I would rather spend a good full day on my creative endeavors, and get shit done!! Life really is too short, and sleep... well, I don't get to sleep easily anyway, so fuck it! I'll take it as a sign, that I should be productive on my music (as well as other creative shit)!!

Time and The Urgency of Living a Full Life with No Regrets

Well, recently, like in the last few months I've been reminded of the shortness of our time to live on Earth (we maybe have 100 years if we are lucky, and in good health), and being that time is so short, I might as well live life to it's fullest, and do the things I feel and want, cause yeah... time is extremely short, and quite frankly, I might as well do the things I want and feel! As of recently, I've decided to wear makeup whenever the fuck I feel like it... sometimes I don't leave my apartment, but fuck it... I'm gonna put on eyeliner and get dressed up! It doesn't even have to be a special occasion... or even if I'm going out for a coffee with a friend or solo, why the fuck not get dressed up and put on eyeliner and shit! We are certainly not getting younger. And, if life is so short, why the fuck not get the tattoos I want? Why not do the things I want? And a tip for you folks reading this... fuck what others think! In the end, what someone else thinks of you has no effect on your life, and quite frankly you shouldn't let it! Here's the mental side of it... through your entire life the one thing that will happen to all of us... in the end we all die... so do you want to live your life in fear, worrying about what others think and say of you..? Or do you want to live your life how you want, walking the path you want, not giving a fuck about what others think... no fear? I don't know if I can reiterate this enough, we are all gonna die someday, do you want the end of your life to be full of regret not doing the things you wanted to do.. fearing that you may be ostracized, or picked on, or called a freak, or whatever..? Or do you want to live life to fullest, knowing that you may die someday and that there is no time like today to do the things you want and feel, cause fuck... you never know when you are going to die..?

There you go folks... there's a mental, motivational lesson for you... I do realize for some it may be hard, but do everything in your power to live that full life, if it means to get help from a professional, so you can finally start to feel happiness, fuckin do it! Do whatever you need to do to finally achieve that peace! Find people that are supportive... fuck the rest, cause they are not worth your time or energy!

Note: I do realize sometimes an individual can feel lonely at times, stepping out of their comfort zone and doing the things you want or feel like doing, and sometimes it is lonely, but be the person you want to be, live the life you want to, be yourself... you will find your true friends are the ones that love you for who you are!


Love your Canadian Rivethead,

Shayne "Daemon_w60" Lawrence

(Your Canadian Goth / Rivethead)